To Be or Not To Be(loved)

Although minority and female authors have found a place on many English departments' reading lists, the debate over the benefits of a diverse  curriculum still linger.
By Sophia N. Kellman

In the past few decades, English literature departments have added more women and minority writers to their course listings. Thanks to literary scholars who argued successfully for their inclusion, diverse writers such as Zora Neale Hurston, Toni Morrison and Alice Walker find themselves on the syllabi at a variety of colleges and universities.
Yet, for some, the need for a diverse English curriculum is still up for debate. A recent report by the National Association of Scholars, a group that is considered conservative, argues that the expanded focus has resulted in a fragmented curriculum soliciting cause for alarm. For the NAS, by including more female and minority writers in their courses, "English departments have abandoned their true purpose."
For many in the English profession the issue is a familiar one.
"Debates over what should be taught or read go back to the 18th century," says Dr. Phyllis Franklin, executive director of the Modern Language Association. "Generation after generation has argued whether one should read the ancient or the modern, and those debates continue to go on in our time."
"These kinds of things are going to be out there," says Dr. Dellita Martin-Ogunsola, president of the College Language Association. In fact, such sentiment led to the founding of the organization in 1937 by a group of Black scholars and educators.
The NAS report released in May 2000, "Losing the Big Picture: The Fragmentation of the English Major Since 1964," based its findings on the curriculum at the top 25 liberal arts colleges. The schools were chosen based on a 1989 U.S. News and World Report ranking.
Among the report's specific findings: a reduction in required courses and course clusters; an increase in electives; increasing focus on identity politics and "academic exotica" and "preoccupation with postmodern theory and race, gender, and class scholarship"; de-emphasis of classic British and Irish authors such as Shakespeare, Chaucer, Milton, Wordsworth and others.
Franklin counters the idea that traditional authors are no longer prominent. "MLA studies of curriculum development strongly indicate that English department curriculum reflects a combination of traditional and contemporary works," says Franklin. "Our studies show that the curriculum remains pretty stable — traditional authors continue to be taught."
 "There is nothing new about that argument — ‘we are losing ground; we are not the center anymore,'" says Dr. Shirley Logan, Chair of the Conference on Composition and Communication and English professor at the University of Maryland College Park. "But if you look at the students that teachers are facing in the classroom, we have to be aware of the need to represent other perspectives."