Films about African Americans in higher education are a relatively new phenomenon but they, like other films about Blacks, still frequently resort to stereotypes.

In Spike Lee's "School Daze," John Singleton's "Higher Learning," and other less-known movies such as "Blue Chips" and "The Program," African-American students tend to be shown as athletes, outcasts or partyers with little interest or engagement in the academic life of colleges and universities.

"There has been a very narrow portrayal," said Henry Hampton, producer of the award-winning "Eyes on the Prize" civil rights documentary. "For the last five to seven years, more Black films are in production, but the stereotypes persist and characters are one-dimensional. The problem is that we need to get more thoughtful portrayals," Hampton said.

"I am particularly concerned about the lack of portrayals of people who succeed academically. At the same time, we allow them without protest. Young people have got to have academic excellence as an attainable goal that is represented in film. There's a missed opportunity to show variety."

Reality for many minority students in higher education is that they often have to overcome the notion that they are getting a "free ride" or are in some way less qualified than other students. One of the reasons to be concerned about one-sided portrayals of the college experience for minorities is that the images may extend beyond the dark movie theaters into the minds of professors and fellow students.

Spike Lee's film "School Daze" was one of the first films produced by an African-American director that addressed life on a predominantly Black campus during the 1980s. While some report that many of the portrayals were accurate, it fell short of exploring the academic dimension of college life. Its premise was to take a hard and honest look at the social side of college life dealing with fraternities and sororities, classism and prejudice among African Americans.