Create a free Diverse: Issues In Higher Education account to continue reading

Smashing the Stereotypes On the Big Screen

While attending graduate school at Stanford University, Dr. Chon Noriega watched four fi lms that impacted his life: “Stand and Deliver,” “La Bamba,” “Milagro Beanfi eld War” and “Born in East L.A.”

All four movies, which came out within a year of each other in the late 1980s, showcased for Noriega Hispanic actors and the impact Hispanics had in America. Th ey had an indelible impact on Noriega, a film and media studies professor at the University of California, Los Angeles, who has written a book, Shot in America: Television, the State, and the Rise of the Chicano Cinema, and edited nine books on Latinos in fi lm, media and art. Noriega earlier this summer cohosted a month-long series on Turner Classic Movies (TCM) called “Race & Hollywood: Latino Images in Film.”

Noriega and co-host Robert Osborne, a fi lm historian and Hollywood columnist, viewed, debated and analyzed more than 30 fi lms, from silent fi lms from the 1920s to more modern fi lms such as “Lone Star” released in 1996.

Noriega says it was the fi rst time 19 of the fi lms such as “Boulevard Nights” that featured an all-Hispanic cast were broadcast on television. “When you look at U.S. Latinos … we’ve got fewer than 100 films in the entire history of Hollywood where there are tens of thousands of fi lms, and that includes exploitation films,” he says. “There was a higher integration in the ’50s [with] César Romero and Ricardo Montalbán. Now, who is there? Jimmy Smits. Salma Hayek. Edward James Olmos, but it has been a while for him to be the lead character. You don’t have many in fi lms, but the Latino population is twice as large.”

A problem Noriega sees in the accurate portrayal of Hispanics stems from non-Hispanic directors pushing Hispanic actors to speak with a certain accent, or when they try to make them darker. One example: when Puerto Rican actor Juano Hernández played a Black judge in the 1955 movie “Trial.”

“That is part of the irony. Most Latino actors don’t fi t that type. They have to be kind of squeezed into that type of framework, which I fi nd hilarious,” Noriega says. “Latino is not a racial category. It is a multiracial category.”

Born in Miami and raised in Chicago, Noriega received a bachelor’s in English at the University of Illinois at Chicago. He earned his master’s and doctorate at Stanford.

A New Track: Fostering Diversity and Equity in Athletics
American sport has always served as a platform for resistance and has been measured and critiqued by how it responds in critical moments of racial and social crises.
Read More
A New Track: Fostering Diversity and Equity in Athletics